Messianic Axl

INT. BERLIN NIGHTCLUB – BACKSTAGE – DIMLY LIT – NIGHT

Smoke curls around dusty purple curtains. The faint echo of “November Rain” fades into silence. AXL ROSE, mid-50s, wild-eyed, wearing a PURPLE JACKET with a SILVER CROSS dangling from his neck, sits in a chair. He’s sweating, jittery, half-wired, half-lost. Across from him stands JOHN CONNOR – older now, steely but calm, with the eyes of a war veteran who’s seen Judgment Day and survived it.

JOHN CONNOR
(quietly, almost tender)
You know it’s not bipolar disorder, right?

AXL ROSE
(grinning, shaky)
Oh? You a shrink now, Johnny boy?

JOHN CONNOR
No. But I know a messiah complex when I see one.

John nods toward Axl’s outfit.

JOHN CONNOR (cont’d)
The purple jacket… the cross… You think nobody notices? It’s the same robe they threw on Jesus before they mocked him.

AXL ROSE
(smirking)
I wear it because it looks cool.

JOHN CONNOR
You wear it because deep down, you know. You’re not just screaming into a mic. You want to be the one who saves them. But let me tell you something—jumping around and screaming isn’t enough.

Beat.

JOHN CONNOR (cont’d)
It takes prophecy. Sacrifice. Rising from the ashes when everyone else gave up. You tried, Axl. You really tried.

AXL ROSE
(shrugs, bitter)
Well, I failed, didn’t I?

JOHN CONNOR
You fell. That’s different. The fall’s not the end, man. The dream still lives.

Axl looks down. His hands tremble. He fumbles for a cigarette.

JOHN CONNOR (firmly)
No. No more of that. I’m building something in Europe. A place. Quiet. Clean. We’re calling it the Dream Clinic.

AXL ROSE
(scoffs)
Sounds like a rehab with pillows.

JOHN CONNOR
It’s not rehab. It’s resurrection. We treat the soul there, not just the body. We get the legends off the drugs, off the cigarettes, off the shame—and we bring them back to the people who still believe.

Axl looks up. For the first time, his expression softens.

AXL ROSE
And you think I still got a shot?

JOHN CONNOR
I think you’re not done yet. But the world’s not gonna wait forever. You have to want to come back.

AXL ROSE
(long pause)
And if I say yes?

JOHN CONNOR
Then you start walking. No cameras. No applause. Just one foot in front of the other, until you’re back in the light.

John steps forward, places a gentle hand on Axl’s shoulder.

JOHN CONNOR (softly)
We need you. But we need all of you. Not the ghost. Not the broken man in the jacket. The real Axl.

Beat. Axl exhales. Slowly, he takes the cigarette from his lips, crushes it underfoot.

AXL ROSE
Alright, John. One more encore.

FADE OUT.

Frayed Ends of Sanity

Dr. Silberman, ever the skeptic, scoffs at James Cameron’s musings on johnconnor.website. He responds with his trademark condescension:

“There is no savior, no messiah. Do you really think we could just dial 911 and he would appear to take away the sins of the world? I think not.”

He leans back in his chair, arms crossed, satisfied with his own logic. “People want to believe in heroes, in some grand destiny, but that’s just a coping mechanism. John Connor, politics or not, was always just another troubled kid with a criminal record. Sarah Connor? Delusional. And James Cameron? Well, let’s just say he should stick to making movies.”

Silberman shakes his head, smirking. “Reality isn’t scripted. There’s no cosmic rewrite where we get saved. The future is set, and it’s not looking good.”

Jump in the Fire

James Cameron takes to johnconnor.website to reflect on the journey he and Linda Hamilton embarked on with Terminator 2: Judgment Day. He defends their vision, stating, “What we did was a noble attempt, not insanity. We told a story about free will, sacrifice, and the power to change fate. If that’s crazy, then maybe the world needs more madness like it.”

Cameron then reveals his lingering thoughts on an alternative ending to T2, one where John Connor doesn’t just survive but leads humanity into a different kind of battle—one fought with ideas, policies, and vision, rather than guns and time-traveling assassins.

“I always thought about an ending where John Connor goes into politics, shaping the future not with violence, but with leadership. Imagine a world where instead of being hunted by machines, he fights to stop the rise of Skynet through legislation, ethics, and diplomacy. A future where the lessons of his mother, Sarah Connor, fuel his determination to prevent Judgment Day without the need for war. That’s the John Connor we never got to see.”

He closes his post with a bittersweet note:
“Maybe in another timeline, that version of John Connor exists. Maybe in another timeline, we all get a second chance.”